In large-scale minimalist compositions, street artist covers the sides of houses, hospitals, and street barriers with reminders of strength and mutual understanding.
Often depicting animals in motion, kinetic portraits, and expressive hands, Taquen’s exude momentum. The importance of movement reflects a central tenet of the artist’s practice, as he visits different parts of the world to work on murals.
One of his recent excursions was made possible by , a residency program that creates opportunities for artists to travel to a new destination to spark inspiration and connection. In February, Taquen made the journey from his hometown of Madrid to Africa to participate in the .
Established in 2001 to advocate for and demonstrate solidarity with the Sahrawi people, the international event takes place in close proximity to Tindouf, Algeria, a region that has been marked by the and humanitarian crisis for decades.
In 1975, when Spain relinquished its colonial rule over the Western Sahara region, a power vacuum erupted between neighboring countries, leading to the . This agreement heavily ignored the voices of Indigenous Sahrawi people who were forced into displacement, eventually settling into refugee camps that still reside in the Algerian desert approximately fifty years later.
The long-standing conflict has faded in and out of headlines for decades, but the Sahara Marathon has continued to shine a light on the resilience of the Sahrawi people. “It was a project that allowed me to combine my greatest passions—art and sport—and also to contribute as much as possible to this unjust cause,” Taquen shares.
The artist’s resulting silkscreen print demonstrates his experiences in Tindouf. Featuring two gestural hands with bold line work that subtly nods to henna, Taquen references young Sahrawi women, who play a vital role in the desert’s society. “During the marathon, for example, they were the ones who encouraged us the most,” the artist shares. “In the houses where we lived, they took care of us, their families, and so on. They are an example.”
Arabic text lies below, alluding to a phrase that resonated with Taquen along the way. “The Sahrawi people living in the refugee camps call this place ‘the desert in the desert,’ which is meant both geographically and metaphorically. I knew I wanted to reference that in my artwork,” he says.
Beyond the , Taquen also created a four-color risograph portrait combining line drawings and analog photography. And before leaving the refugee camps, the artist hosted two art workshops for children, sharing, “at the end of the day, these are boys and girls who do not speak my language, but through drawing we were able to express ourselves. It taught me a lot about their ideas and their hopes for the future.”
The artist is currently in Sicily completing the Graniti Murales residency and has a busy year coming up including an art festival this summer and a solo exhibition in the fall. Keep up with his work on , and learn more on his .
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