All images © Deborah Parkin, shared with permission
Gregarious and intelligent, are small cousins of the crow and raven with dark feathers on their crowns, tails, and wings and lighter plumage everywhere else. The feathered socialites frequent the moor near photographer ’s home in the Northumberland, where she’s spent hours watching them swoop from branch to branch and perch in trees thick with foliage during a period of grief, and they eventually became the subjects of her quiet, contemplative series of cyanotypes.
The medium, which dates back to the 19th Century, uses a combination of ferric ammonium citrate, potassium ferricyanide, and UV light from the sun to create signature colored prints. Parkin tells she encountered the process through the work of English botanist who was the first to publish a book that included photographic images of dried algae. Following in that tradition, Parkin documents the birds through a hazy wash of the pigment, saying, “in , Carol Mavor talks of blue being the colour of memory, and this felt relevant to my work.”
In addition to the jackdaw series shown here, Parkin has branched out to try the cyanotype process with tea toning rather than the two chemicals. She shares glimpses of that project and more of her photography on and .
Related Posts
