The process behind most music videos begins with an audio track that an artist reacts to and pairs with a corresponding visual, an undertaking knows well. The Netherlands-based artist has been working with the jazz quartet since 2017, listening to the band’s largely improvised melodies and creating abstract animations, alongside stills for its 11 album covers, to match.
But for their most recent collaboration, “,” the group flipped the traditional workflow. With the help of his creative partner Hans Schuttenbeld, de Boer hand-drew 4,056 frames that range from dark, geometric shapes to gangly creatures to scenes that morph from one trippy composition to the next. Honoring the simple, unpretentious lines of each sweeping mark, the artist bills the completed animation as “the story of a brushstroke: a trace of a movement performed by the artist with his instrument, the paintbrush,” he said in .
Once complete, de Boer shared the project with Ill Considered, who recorded an entirely improvised track on its first viewing. The resulting music video matches the jazzy riffs with de Boer’s shapeshifting sequences in a cohesive conversation between the two artforms.
You can purchase an LP of “The Stroke,” which is packaged with 12 of de Boer’s original artworks on the cover and inside, on , and see the full process behind the animation, including the painstaking drawing process and actual recording session, in below. Keep up with de Boer’s latest projects on and .
