Whether unwrapping themselves from textile folds or balancing atop spindly stools,
Each piece begins with the artist exploring a photographic catalog she maintains with imagery of nature, interiors, and self-portraits.
These are developed through photo sessions which last anywhere between 10 minutes to an hour. I then translate this content into sketches and studies, finding different ways to pull patterns out and manipulate the figure before moving forward with the painting proper…The first marks on the board are a transfer of a sketch for the figure. I’ll then start painting and slowly work my way across the surface in a single layer, constantly making micro-decisions and balancing the image as I go. The figure in this way acts as a sort of anchor that the rest of the painting moves around.
Often drawing from texts she’s reading—Charlotte Brontë’s Villette is one—the artist imbues fictional tales into her works. “I’m interested in when real life and fiction bleed into one another. I’ve always been an avid reader, but happily, nowadays I can read and paint at the same time thanks to audio-books. Often whatever I’m reading filters through into titles for works and indirectly into the paintings themselves,” she says.
To see more of Rohan’s densely patterned paintings, head to