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By evoking Klimt, the Maryland-based artist hopes to elicit similar feelings as when considering some of the painter’s pieces like “The Kiss,” for example. “I remember being drawn to the details, the poses, of course, the gold, and the grace,” she says of her initial reaction to his pieces. The ornamental additions immediately signal beauty, which has many different meanings for Chatmon.
Beauty is every child in these portraits. Beauty is individuality and nonconformity. Beauty is something that you saw, that you can’t stop thinking about because it made such a good impression on you. Beauty is the way I felt when I got to hold each of my babies after giving birth to them. Beauty is motherhood. Beauty is when my 15-year-old son makes it a point to hug me every night and tells me he loves me. Beauty is goodness. Beauty is knowing you’re beautiful even in a world hellbent on making you think otherwise.
To explore more of the artist’s layered photographs that consider both personal and cultural conceptions of allure, grace, and strength, head to