In the music video for Robert Macfarlane and Johnny Flynn’s new song “
Seamlessly shifting from wide aerial shots to underwater close-ups, the animation opens with an inscribed ancient tablet before following the antagonistic relationship between a central character and a dog. “As a medium, clay holds a lot of power—its malleability allows me to transition fluidly from scene to scene, much as the natural world shifts and evolves over time,” Tomlinson explains in
In addition to collaborative projects like “Ten Degrees of Strange,” Tomlinson creates a variety of personal projects focused on the human impact on the environment. You can watch those animations on