Photo by Benning/Gladcova. All images © Suzan Drummen, shared with permission
The latest installation by Dutch artist () masks a stately salon in the with a gleaming carpet of crystals placed in psychedelic swirls. A response to the Golden Age-era architecture, the bright colors of Drummen’s work are intended to clash with the rich, muted hues of the furniture and walls. Because each individual crystal is laid by hand and left unsecured, the labor-intensive process took a team of four nine days to complete.
Equally mesmerizing and disorienting, Drummen’s elaborate installations often rely on a combination of patterns, reflection, and a three-dimensional texture that creates a dizzying effect. Much of her work is informed by the overwhelming amount of information in today’s world that can spark confusion and uncertainty, which she explains:
Phenomena like these alarm me as a person, but as a maker, I’m inspired by that dizzying multiplicity. I‘m interested in things that dazzle us, and in my work, I try to ramp that up. It’s an ongoing quest, with a constant interplay between seriousness, fear, playfulness, and hope. Above all I want it to be vibrant and vital.
Drummen’s piece is on view through October 3 as part of Trailblazers, a group exhibition inviting past recipients of The Royal Award for Modern Painting to show their works within the palace’s halls. Explore a larger collection of the Amsterdam-based artist’s projects on and .
The work in progress
Dutch King Willem Alexander and the artist. Photo by Jeroen van der Meyde
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