All images courtesy of Kino Lorber
An effort to rewrite art historical timelines predominately shaped around men, a new documentary spotlights inventive Swedish artist (1862–1944). considers her colorful, abstract artworks that predate those of widely recognized male artists, like , , , , and . Directed by , the corrective documentary follows the Guggenheim’s of the artist’s spiritual work that since has secured af Klint’s position as a pioneer of 20th-century art.
Dyrschka discovered the revolutionary artist’s work in 2013, quickly realizing that “here was a woman who consequently followed her own path in life that led to a unique oeuvre. A strong character and despite all restrictions Hilma af Klint explored the possibilities that go beyond the visible.” In addition to art history’s tendency to ignore women, the artist’s groundbreaking projects have been absent from historical discourse in part because she asked that her work not be shown until 20 years after her death.
Having interviewed af Klint’s relatives, historians, artists, and critics for the documentary, the German director is hoping to offer a comprehensive and amended version of af Klint’s legacy that transcends her bold paintings. Her “oeuvre goes even beyond art because she was looking for the whole picture of life,” Dyrschka said. “And with that she comes close to the one question: What are we doing here?”
Beyond the Visible will be starting April 17. (via )
“Altarpiece No. 1” (1915), Altarpieces: Group X
“The Dove No. 2” (1914-1915), from Group IX
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