When a company operates across oceans, identity can easily drift. For Anglo-Eastern — one of the world’s leading ship management companies — their new office is less an outpost and more a second chapter: an expansion of the language first developed for their headquarters by Hong Kong–based studio .
What emerges is a that feels poetic, not corporate. Its forms are , its atmosphere calm and tactile, its intent quietly precise. “We wanted to create a space that would be instantly recognisable as Anglo-Eastern,” says Lorène Faure, Bean Buro co-founder. “Grounded in brand identity but uplifted by gentle, sensory moments — the ship bells, maritime photography, and rippling textures.”
Those gestures are small but potent. In the pantry, metallic ceiling panels shimmer with the subtle motion of waves. In the reception, curved joinery evokes the hull of a vessel. The colour palette — dark navy, white, and burgundy — borrows from naval uniforms, while warm timber and soft surfaces ground the scheme in comfort. It’s an aesthetic that moves effortlessly between precision and poetry.
“We saw this project as an opportunity to express the poetic strength of the sea within a refined workplace,” adds Kenny Kinugasa-Tsui, Faure’s co-founder. “Something sculptural, confident, and deeply rooted in Anglo-Eastern’s identity.”
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Located within Labrador Tower, the two-storey, 37,000-square-foot space unfolds as a sequence from public to private, from energy to calm. The reception anchors the narrative — open, light-filled, and ceremonial — before the plan flows into collaborative “islands” and quieter focus zones. A generous pantry with ocean views merges hospitality and work, becoming a social heart where the sea itself becomes a backdrop.
Much like navigation, the project relied on trust across distance. Designed primarily from Hong Kong and executed in Singapore with LFA Studio and Conexus, the process demanded clarity and faith in the design language they’d already refined. That long-distance collaboration, says Faure, “encouraged precision and made every decision intentional.”
The result is a workplace that doesn’t simply reference the sea — it embodies its temperament: rhythmic, reflective, and deeply interconnected.
Bean Buro
Photography
Daniel Koh
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