Designed by Aedeas under the leadership of Global Design Principal Ken Wai, this 5356-square-metre structure reflects a deep connection to the historical and urban context of its location. Completed in 2024, the museum anchors the Liangzhu Yohoo Park, a cultural hub that bridges the city’s rich past with its contemporary aspirations.

The architectural concept draws inspiration from jade, a material historically revered in Chinese culture for its symbolic significance in rituals and artistry. The museum’s aerial view reveals an intricate double-ring structure, evoking two interlocking jade rings. This design is an attempt to symbolise the harmonious relationship between the ancient Liangzhu culture and the Grand Canal, acting as a bridge between the historical and the modern.

Aedeas’ museum is a bridge between Chinese history and modernity

This jade-like design is not merely symbolic but also functional. The building’s form is a singular steel frame with edges that gently elevate off the ground, creating an appearance of weightlessness. This seemingly gravity-defying structure houses two public courtyards, connected by a circular light well that draws natural light deep into the space, reflecting a symbolic connection between heaven and earth.

Meanwhile, materiality and transparency are central to the museum’s aesthetic. The south-facing main entrance features translucent multilayered emerald glass, ensuring an evenly lit interior. On the north side, a large glass curtain wall offers expansive views of the surrounding landscape, further showcasing the interplay between interior and exterior spaces. As Ken Wai notes, the glass panels achieve “a subtle balance of opacity and transparency,” embodying jade’s dual qualities of delicacy and strength.

Related: Junya Ishigami in China

Aedeas’ museum is a bridge between Chinese history and modernity

The museum’s design also promotes public engagement through its open and inviting spatial arrangement. Slightly elevated edges on either side of the building create open plazas that accommodate recreational and social activities. A dynamic piazza on the west side extends towards the lake, while the north façade’s white jade-textured glass enhances the structure’s ethereal presence.

Visitors approach the museum via scenic trails that weave through the park, culminating in panoramic views of the lake and surrounding area. The undulating roof further contributes to the building’s visual dynamism, appearing to shift form when seen from different angles. This element ensures the museum becomes a landmark that captures the evolving spirit of Hangzhou.

Aedeas’ museum is a bridge between Chinese history and modernity

Aedeas’ design for Yohoo Museum is all about integration of cultural symbolism and innovative architecture. By drawing from the region’s heritage and leveraging cutting-edge design principles, the structure embodies a forward-thinking approach to urban cultural spaces. As Ken Wai concludes, it is a “pioneering art destination that offers a multi-dimensional interactive space for the community.”

Aedeas
aedas.com

Aedeas’ museum is a bridge between Chinese history and modernity
Aedeas’ museum is a bridge between Chinese history and modernity
Aedeas’ museum is a bridge between Chinese history and modernity
Aedeas’ museum is a bridge between Chinese history and modernity
Aedeas’ museum is a bridge between Chinese history and modernity
Aedeas’ museum is a bridge between Chinese history and modernity
Aedeas’ museum is a bridge between Chinese history and modernity
Aedeas’ museum is a bridge between Chinese history and modernity
Aedeas’ museum is a bridge between Chinese history and modernity

Further reading – artificial intelligence, Metabolism and crisis in mid-20th-century Tokyo

The post Aedeas’ museum is a bridge between Chinese history and modernity appeared first on Indesign Live: Interior Design and Architecture.

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