It’s no secret that we are in the midst of a global housing crisis. In major cities across the world, demand continues to outpace supply, and the development of luxury condos and single-family homes has rendered affordable housing options harder to come by. Across typologies, architects around the world continue to design new ways of living that address the complex economic and social factors facing people today.
These explorations are happening outside of urban centres, too. In Bentonville, Arkansas, the
Each experimental structure embraces four key principles: emphasize the humanity of the occupants, carefully select materials, practice efficient building methods and recognize the importance of place. Below, we dive deeper into their works — five examples of “how we could live today if we designed housing that was more human.”
This installation by
The firm was also interested in exploring the connection between humans and nature — which is often missing from urban and suburban areas. Merging indoor and outdoor spaces, PPAA’s installation consists of translucent walls and a soil floor, affording a flexible space with abundant views and natural light. The single structure is envisioned to be scalable, linking houses together to promote human connection.
When asked to design a prototype for housing,
This structure juxtaposes Mexican handcrafted wood columns with pottery made by artists in Michoacan using Indigenous and mudejar techniques. Combining concrete, steel, wood and clay, MUTUO proposes a reality in which the incorporation of culture and craft can help to create a more flexible and inclusive housing system.
In his prototype, Indigenous designer Chris Cornelius of
Visitors enter the home through a doorway that faces east, greeting the sun. The hearth — “a place of gathering and counsel for Indigenous people” — is reimagined as a steel tower that stretches towards the sky. In lieu of distinct rooms, which are a traditionally European concept, Cornelius instead implements flexible modules that can be used for multiple purposes.
Representing the freedom and choice not afforded by HUD houses, the prototype features rusted metal “feathers” that clad the exterior. “Maybe I can fly off this Reservation,” says Cornelius. The materiality also speaks to the inherent connection between humans and animals, a key tenet of Indigenous cultures.
Screw pile foundations were placed around the tree’s roots to support the pavilion and allow water runoff to flow underneath it. The space will be used to educate students about forestry, while also providing a precedent for “sustainable urbanization” to advance industry standards for mass timber housing — and in turn, develop more site-responsive communities that are connected to their local ecology.
Yolande Daniels and Sunil Bald of
Comprised of four totem-like structures made of latticed Douglas Fir and plywood, the prototype serves as a timeline. It’s engraved with information about events related to colonial expansion and forced expulsion, with each totem representing a 50-year period.
From a distance, the structures appear to form an outline of a house, but up close they dematerialize, demonstrating “how architecture can express the stories of people who have been silenced.” The Totem House can be expanded into a full home for off-site fabrication; it organizes four components into a 6-by-9 metre footprint to create an economical model for wood-frame construction.
Architecture at Home is on view at the Orchard Trail until January 31st 2023 and is free to attend.
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