An Enormous New Book Celebrates 308 Latin American Artists Across Three Centuries

A colorful ceiling surrounds an installation with chairs and easels and plants

Sol Calero, “La Escuela del Sur (The School of the South)” (2015), mixed media, installation view. Photo by Andy Keate. All images courtesy of the artists and Phaidon, shared with permission

Dubbed the essential survey of artists living and working across Latin America, a monumental new book catalogs three centuries of output across 20 Spanish and Portuguese-speaking regions. Latin American Artists: From 1785 to Now, forthcoming from Phaidon, spans 352 pages of contemporary and historic paintings, sculptures, installations, photographs, performances, and more. Large imagery accompanies brief texts introducing 308 artists who’ve made significant contributions to the canon, including Frida Kahlo, Tomás Saraceno, Leonora Carrington, and Ernesto Neto. Arranged alphabetically, the tome brings together myriad styles, techniques, and methodologies to highlight the vast range of work coming from the region.

Latin American Artists: From 1785 to Now will be released on October 4, and you can pre-order your copy on Bookshop.

Simón Vega, “Tropical Space Hostel” (2019), wood, metal sheets, plastic, found objects, and light, 98 2/5 × 137 4/5 × 98 2/5 inches, installation view, Summit Tulum, Tulum, Mexico. Image courtesy of MAIA Contemporary

A woman in a maid's uniform sits on a throne-like chair with a feather duster

Sandra Eleta, “Edita (la del plumero) Panamá (Edita (The One with the Feather Duster) Panama)” (1978–80), from the series ‘La servidumbre (Servitude),’ 19 × 19 inches

an open book spread

an abstract sculpture of wood and colorful fabrics rests on the floor

Sonia Gomes, “Sol” (2018), stitching, bindings, different fabrics, and laces on wood and wire, 36 1/4 × 47 1/4 × 39 3/8 inches. Photo by Bruno Leão. Image courtesy of Sonia Gomes and Mendes Wood DM, São Paulo / Brussels / New York

Two geometric paneled orbs suspend with strings connecting various sides

Tomás Saraceno, “NGTS-2 b/M+MB” (2017), stainless steel, rope, fishing line, metal wire, and mirror panels, 25 5/8 × 41 3/8 × 41 3/8 inches. Image courtesy of Tanya Bonakdar Gallery, New York / Los Angeles

an open book spread

a llama holds a pack with strings attached to everyday objects that appear to float in the air

Claudia Martínez Garay, “Chunka Tawayuq Pacha (PACHA #14)” (2022), tufting, 98 3/8 × 61 3/8 inches. Image courtesy of GRIMM Amsterdam / New York / London

Three performers hold their arms out to the sides while they wear mirrored hats and rings around their bodies

Eduardo Navarro, “Instructions from the Sky” (2016). Photo by Timothy Schenck, commissioned and produced by Frieze Art Inc. for Frieze New York

a book cover that says Latin american artists from 1785 to now

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