
“Nimbus Kunstmuseum Hal” (2021). Photo by Cassander Eeftinck Schattenkerk. All images courtesy of the artist and Ronchini Gallery, shared with permission
For less than ten seconds,
In recent years, the sculptures have become denser and larger, more imposing elements that haunt quiet spaces from Dubai to Paris to Washington, D.C. Depending on their location, the pieces take on varied meanings to explore questions of time, boundaries, and perception. Smilde explains:
The cloud is a great metaphor and it changes its context, its interpretation, with each space. The old chapel at the Hotel Maria Kapel art space in the Dutch town of Hoorn, where I made my first cloud, for example, emphasized the divine connotations, but in other environments, it could appear as an element escaped from a landscape painting, a thought, a heavenly place, a concealing element, or simply an in-between state. This fleeting aspect of the work is something I’ve embraced in my other artworks, as well. I’ve also learned not to always need to have full control over it and to accept change. A cloud isn’t durable, it changes, grows, and breaks apart.
Smilde’s work is included in a group show on view through March 17, 2024, at

“Nimbus De.Groen” (2017). Photo by Cassander Eeftinck Schattenkerk

“Nimbus Katoenveem ” (2018). Photo byCassander Eeftinck Schattenkerk

“Nimbus Electriciteitsfabriek” (2022)

“Nimbus Museum De Lakenhal” (2022). Photo by Cassander Eeftinck Schattenkerk

“Nimbus MdbK” (2021). Photo by Cassander Eeftinck Schattenkerk

“Nimbus Atlas” (2017), exhibition view at De.Groen fine art collection
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