“Écran plat” (1999), driftwood and linen twine, 60 x 50 x 7 centimeters. All images © Marc Bourlier, shared with permission
Characterized by elongated noses and tiny, punched eyes and mouths, ’s expressive figures gather in a perpetual state of curiosity and surprise. The artist scours the beaches near his home in Normandy for driftwood, gathering an incredible variety of sizes and shapes to take back to the studio. He complements the weathered grain with carefully whittled heads and long, limbless bodies, packing the individuals tightly together on platforms or organizing them into compartments.
The nuances of color play a role in Bourlier’s work, as he explores the relationship between naturally occurring tones and subtle background hues. Recently, the artist has composed tree motifs grounded by warm, brown surfaces filled edge-to-edge with drawn linear patterns and hundreds of faces. Figures stand around the trunks and balance in the boughs, captured in an enigmatic narrative.
See more of Bourlier’s work on his and .
“Le Grand Cloisonné” (2017), driftwood, linen twine, and wallpaper, 120 x 90 x 5 centimeters
“L’arbre Voyageur” (2023), driftwood, wallpaper, and drawing, 50 x 40 x 6 centimeters
“Fétiches Arumbaya” (2020), driftwood, wallpaper, and drawing, 80 x 60 x 5 centimeters
“Cloisonné” (2017), driftwood, linen twine, and wallpaper, 40 x 40 x 5 centimeters
“L’arbre Sous le Lune” (2023), driftwood, linen twine, wallpaper, and drawing, 40 x 30 x 5 centimeters
“Portraits de Fétiches” (2019), driftwood, wallpaper, and drawing, 50 x 40 x 6 centimeters
“Nuages” (2017), driftwood, 80 x 70 x 7 centimeters
“Tous Dehors” (2015), driftwood, linen twine, and wooden box, 35 x 15 x 12 centimeters
“L’étrange véhicule” (2023), driftwood, wallpaper, and drawing, 40 x 40 x 5 centimeters
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