“Ambush.” All photos © Cynthia James, shared with permission
In the 1901 book, , Nobel prize-winning author Maurice Maeterlick wrote, “If the bee disappeared off the face of the earth, man would only have four years left to live.” Regardless of determining an exact range of years for such a catastrophe, the insect’s extinction has been a great concern for well over a century. We’ve become increasingly aware of the of living without bees, a dreadful outcome scientists are continually reckoning with.
In her extensive Bee Series, artist shines a light on the human and environmental necessity for the winged pollinators, imagining a botanical catalog of plant forms and insects thriving amongst each other in another world. Describing a seminal experience directly related to this inspiration, James reflects on when she and her partner lived in the lowland jungle of Yucatán, a seminal experience that inspired the body of work. The artist explains:
We began to see the environment change rapidly as global warming increased along with the use of pesticides damaging bees and butterflies. We saw butterflies in swarms in the 1990s, but we never expected their disappearance to occur so quickly. Pesticides and genetically modified seeds permeated with antibacterials are new elements shocking the finely balanced interplay between humans and food sources.
Seemingly dancing or moving in rhythmic trance, bees of varying hues percolate in each painting, assembling in elegant spirals and double helices. Swaying in similar fashion are the plants the pollinators swarm, appearing as almost mutated forms of familiar foliage that allude to 18th century grotesquerie.
James’ work will be on show in opening at the Wildling Gallery in California next week. For more updates and work, check out the artist’s and .
“DNA”
“Genetic Murmuration”
“Birds vs. Bees”
“The Ark”
“God Save the Queen”
“The Save”
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