
“Lattice” (2022), cardboard, vellum trace paper, 76.7 x 116 x 24.5 inches, on Evelyn Lewis Campus, Staten Island in the collection of the NYC Department of Education, Public Art for Public Schools. All photos by Etienne Frossard, courtesy of the artist, shared with permission
Although riders aren’t able to board
The intricate sculpture—which was a commission from the New York City Department of Education and NYC School Construction Authority Public Art for Public Schools in collaboration with the NYC Department of Cultural Affairs Percent for Art program—references
Now permanently housed at the Evelyn Lewis Campus—given its location on school property, there’s no public access to view the work—”Lattice” engages with the metaphor of life as a rollercoaster, perpetually moving forward through a series of twists, turns, dips, and peaks. “But this is but one metaphor,” Agdag tells Colossal, explaining that the piece also references a collective spirit. He says:
To me, the representation speaks of systems hidden within the amusement, a considered structure. Constructed of many individual stems and beams, I interpret it as the many people that need to contribute to making society not only function but thrive. The individual structural elements laced together to form a beautiful lattice of strength. Independently they carry little weight, but together they are strengthened and resilient against the forces that try to tear them down.
Agdag shares glimpses into his process and studio on

An in-progress photo of “Lattice.” Photo by Daniel Agdag
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