This office reframes the workplace as a system of choices rather than a fixed grid of desks. The brief called for a dynamic, employee-centric environment, and the design answers it through a deliberate spectrum of work settings that gives people genuine agency over how and where they work across the day.

That spectrum runs the full range of focus and exchange. At the quiet end, enclosed phone booths and acoustic pods support calls and heads-down individual work, while semi-private headspace nooks and felt-lined banquette booths offer retreat without full enclosure. These open onto soft touchdown settings such as lounge seating and communal worktables for informal, spontaneous collaboration, and step up again into open brainstorming zones and glazed meeting rooms for active, structured group work. The result is a floor people can read intuitively, where every mode of working, from deep focus to collective ideation, has a setting tuned to it, and moving between them is effortless.

Underpinning the plan is a wellness-led design methodology. The variety of settings is itself a wellbeing strategy, giving people control over stimulation, acoustics, and proximity to others so they can regulate their day rather than endure a single fixed condition. Daylight and outward views are protected across the floor, biophilia is embedded as a constant rather than an accent, and the acoustic environment is actively managed to reduce cognitive load. The approach is consciously inclusive: a spectrum of settings accommodates different working styles, sensory needs, and energy levels, so the space works as well for quiet, focused individuals as it does for collaborative, high-energy teams.

This ethos is expressed in the architecture itself. The language is fluid and rounded throughout, with curved glass enclosures, arched thresholds, softened corners, and continuous radii in place of hard edges, creating a calmer, more human environment that reads as welcoming rather than rigid. The defining gesture is overhead: a sculptural ceiling of layered acoustic baffles, drawn from fluid topographical contours, that flows across the floor as a single continuous form. Punctuated by integrated circular luminaires, it doubles as wayfinding and acoustic control, threading the full depth of the space along a central spine of oak-effect vinyl flooring and giving the workplace one legible, unifying identity. Flanking that spine, fluted planters serve as living dividers, holding greenery at desk height to soften the open plan while preserving transparency end to end.

The material strategy reinforces the acoustic logic throughout. Warm felt cladding, the layered baffle system overhead, ribbed planter surfaces, and textured carpet tile work together to manage reverberation in a predominantly hard-surfaced shell.

Identity is embedded rather than applied. Manuscript-style dot patterns and Egyptian hieroglyphic motifs are printed across the glazing as both branding and privacy film, and the firm’s values are integrated into the graphic environment, anchoring a global brand in a distinctly local narrative. A palette of oak, soft greens and blues, and neutral tones keeps the atmosphere contemporary and grounded, professional without reading corporate.

The result is a workplace that performs across registers: legible in its planning, varied in its settings, grounded in wellbeing and inclusion, and quietly rigorous in its acoustic and biophilic strategy. It is an environment built to support how people actually work, and to strengthen the culture around them.

Design: Savills ME
Contractor: SCAS
Photography: Sara Gaafar

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