“Good night no.2” (2020), iron, urethane paint, and acrylic paint, 144 x 53 x 29 centimeters. All images © Tomohiro Inaba, shared with permission
In ’s intimate metal sculptures, majestic animals and gentle humans are the stuff of dreams and fairytales. As if scribbled energetically in 3D, delicate lines of iron transition the solid forms of deer, foxes, or sheep into thin air—what Inaba calls the “gradient to blank.” Yet this emptiness takes on a life of its own, spinning a sense of mystery and inviting the viewer to question what forces might be causing it or where the boundary lies between presence and absence.
Woodland creatures provide the basis for many of Inaba’s compositions, referencing folk tales, the human connection to nature, and a sense of wonder. A cosmic fox sprints in “Hearing footsteps left by a star,” for example, while a young woman and an ethereal horse commune in “Good night no. 2.” The artist’s current solo exhibition, A Story That You See at , draws special attention to the margins between what feels real or solid and what may only be a figment of our imagination or a dream half-remembered.
A Story That You See continues through August 31 in Tokyo, and Inaba’s work will be part of a two-person show at in Onfleur, France, beginning in October. Find more on the artist’s and .
Installation view of ‘A Story That You See,’ Yukiko Mizutani Gallery, Tokyo
“Hearing footsteps left by a star” (2021), iron, urethane paint, and acrylic paint, 96 x 100 x 40 centimeters
“Stars Uncounted no.12” (2015), iron, urethane paint, and acrylic paint, 58 x 24 x 44 centimeters
“Stars that once had names no.1” (2019), iron, urethane paint, and acrylic paint, 253 x 143 x 85 centimeters
“Night Stranger” (2015), iron and urethane paint, 67 x 33 x 22 centimeters
“Vessel of Memory no.4” (2019), iron, urethane paint, and acrylic paint, 278 x 45 x 45 centimeters
“Repeating World no.3” (2018), iron, urethane paint, and acrylic paint, 166 x 35 x 107 centimeters
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