Erased Reality: Exploring the Boundaries of Memory

The “Erased Reality” photo project is a visual meditation on memory and perception. In this series, Sasha Mingia reimagines the human concept of reality by erasing familiar details and leaving only fragments that serve as a bridge between the visible and the remembered.

“Reality is a ghost. It’s like having a dream in which very familiar places and events from the past are dreamed deserted. You remember all the participants in the event, but you don’t see them anymore. What really happened to you changes to an alternative version, where there is neither you nor witnesses”

Mingia’s work explores the boundaries between what we see and how we interpret it. Photographs taken in the 2010s transform scenes of the past into enigmatic spaces, where the disappearance of elements becomes a metaphor for forgetting, loss, and transformation.

The story captured in these images unfolds in abandoned territories in the early 2010s — in Abkhazia and a defunct 1990s Moscow amusement park on the cusp of reconstruction.
Inspired by Sasha’s reflections on the role of memory in creating images and interpretation as a bearer of truth, the project “Erased Reality” was assembled in 2022 from her archive of 2010s-era photographs. Each image invites viewers to ask themselves: how much of reality remains when its contours are erased?
Sasha Mingia’s project is not only a visual experience but also an invitation to a dialogue about how the phenomenon of gaslighting shapes our memory and perception of the past.