Emmy-nominated director
The London-based artist and
“It was a project that I felt an immediate spark for right from the word go, and somehow that momentum carried me right through to the end,” Cooper said of the video. “I love The Beatles. We used to listen to this song on a tape in the car when I was a child, and the song itself evokes such a mesmerising, languid, dreamy state. In a way, my job was only to follow its lead with a paintbrush in my hand.”
Whilst working on the video, Cooper admits the song and its many messages felt especially relevant today. “I began with the thought that this would simply be John drifting in and out of sleep, flowing between wakefulness and memory and peppered with surreal moments, dipping into the history of The Beatles, with everything fleeting and ungraspable,” she explains. “But the meanings of the film soon began to spread out, encompassing The Beatles’ anti-war feelings and reflecting on our place in the world.”
“In my work, I’ve always been interested in using paint to evoke thought or subjective experience – the way things flow inside your mind. So for me, this song which sways between the inner world of sleep and the outer world of waking was a thrilling and beautiful opportunity,” she concludes.
Em Cooper’s work for The Beatles premiered at London’s