“Polar Bear” (2011), archival cardboard, ink, and red pencil, 26 x 53 x 29 inches. Photo by Mark Davidson. All images shared with permission
Armed with glue and screws, artist fashions large-scale creatures from a humble material in an exploration of the relationship between humans and our animal counterparts, particularly those we associate with myth and folklore. The beastly creations emerge in his aptly named solo show Cardboard Kingdom, which is on view now at in Seattle.
Comprised of fringed layers and patchwork, the animals are wild and expressive, with drowsy, drooping eyes or snarling teeth. Many bear the markings of human touch, with drips of ink and pencil drawings on their faces and bodies. “Physically beautiful, we endear these animals with many meanings. But they are predators and prey in a brutal world. These are portraits of individuals as they are in nature,” he shares.
Cardboard Kingdom is on view through December 22, and you can find more of Fife’s sculptures on .
“Lioness” (2011), archival cardboard, ink, and red pencil, 26 x 53 x 29 inches. Photo by Mark Davison
Detail of “Dog With Picasso Guitar” (2022), archival cardboard, glue, drywall screws, and ink, 14 x 60 x 30 inches. Photo by Traver Gallery
“Dog With Picasso Guitar” (2022), archival cardboard, glue, drywall screws, and ink, 14 x 60 x 30 inches. Photo by Traver Gallery
“Were Wulf” (2007), archival cardboard, ink, and red pencil, 25 x 25 x 34 inches. Photo by Traver Gallery
“Horse” (2012), archival cardboard, dry screws, glue, ink, and pencil markings, 46 x 64 x 15 inches. Photo by Traver Gallery
Detail of “Were Wulf” (2007), archival cardboard, ink, and red pencil, 25 x 25 x 34 inches. Photo by Traver Gallery
Photo by Traver Gallery
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