Installation views of ‘Blow Out’ (2022). All images by Pauline Shapiro, courtesy of Perrotin, shared with permission
Described as fostering “a sense of lobotomized capitalist productivity,” artist coaxes tension from the mundane. Her stoneware sculptures are at once disconcerting and commonplace, depicting the uncanny remnants of a dinner party, medical furniture draped with lanky, limp limbs, and a discount shop hawking carved oranges, a half-eaten cookie, and apples chewed to their cores.
More elaborate than , Belanger’s newest tableaus are similarly dramatic in subject matter while soft and subtle in visual tone—rather than glazing the ceramic sculptures, she blends powdered pigments into the material itself with a kitchen mixer, a practice that allows her to achieve her signature muted effect. A trio of the artist’s surrealist installations is now on view at as part of Blow Out, a solo show that delights in strange theatrics and unobtrusive malice. Detached body parts reside on tables and store shelves in a manner that’s tinged with sexuality, while objects like picnic blankets and tipped bowls appear on the brink of movement. Suspense pervades the otherwise still scenes, exposing the anxiety and fantasy hidden in the banal.
If you’re in Paris, visit Perrotin before December 17 to see the disquieting works in person. Otherwise, find more from Belanger on .
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