In Tarogramma, the imaginary world conceived by () as a setting for his vibrant paintings, plants are plentiful, but animals don’t exist. The landscapes are as diverse and enigmatic as its inhabitants, who commune with bodies of water, traverse the desert in a suit, and size up an enigmatic object on a dinner plate.
Cifelli’s stylish figures investigate their environment to try to understand their place within it. Many of the paintings shown here were recently exhibited at Spinello Projects in Miami, emphasizing the artist’s recent focus on analyzing what life is like in this fictive world.
“In Tarogramma, symbols are imbued with disassociated meanings unrelated to what we think they could be,” says a statement for his show. “Iconography, such as flags or emblems, represent regions that exist not as physical places but as ideas or states of mind.” This world is devoid of ethnic, cultural, or gender hierarchies, and identity is fluid and chosen, which encourages constant transformation.
Occasionally, Cifelli’s paintings reference famous artworks like “Wanderer before the Sea of Ice,” which nods to German Romanticist artist Caspar David Friedrich’s 1818 painting, “.” Capturing the solipsism of the 19th-century work, Cifelli translates the view into an arctic scene of jagged ice, with the central figure wearing a coat decorated in symbols evocative of biological forms.
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