Lynda, 2016.
Queen Bee, 2016.
Untitled No. 23, 2016.
Cough syrup on the Lips, 2019.
Formally alluding to abstract expressionist paintings, Lee’s work encompasses small wheel-thrown vessels, hand-built slabs, and organic forms that are punctured and malformed. There is no clear delineation regarding whether the deformity is intentional, or whether Lee embraces random gestures and perceived imperfections throughout her process. The resulting
Onibaba, 2019.
Lee’s most recent solo show, her first since 2015, is currently on show at New York’s
Lee creates a psychosomatic expression of the past, re-contextualizing the classic form of the body, or vessel, through a series of sculpting, embossing, drawing, printing, and painting works. Drawing visitors into the main gallery is a giant house covered in blades of grass that depict an overgrown and unkempt lawn, a nod to Lee’s memories of childhood. Further in, the gallery is filled with ceramic paintings and a jumble of sculptures. Lee also has a line of functional ceramics’ Glazemoods’, encompassing mugs, plates, bowls and vessels painted in her abstract expressionist style.
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