Equipped with vibrant cotton thread and wooden panels, stitches sculptural embroideries that draw on her Pakistani and Islamic heritage. Architectural arabesques and Punjabi craft traditions influence her mixed-media motifs, including phulkari, or floral folk embroideries, and woodblock printed reliefs known as bagh.
Iqbal utilizes half-circles and semi-precious beads to add depth and visual intrigue to the works. Creating shadows and catching the light, these meticulously planned details allow a shift in perspective depending on the viewer’s position. The sweeping lines of color create “saturated pathways that reveal their intensity and depth,” she adds, “allowing my work to offer a shifting experience of light, color, and connection.”
By emphasizing dimension and the interactions between materials, Iqbal hopes to push the medium in new directions while honoring broader making traditions. She says:
Craftsmanship holds a profound significance in Pakistani culture, where artistry is revered as a lifelong discipline that shapes identity and community. This respect for meticulous craftsmanship is integral to my own practice. By selecting thoughtful materials—wood, semi-precious beads, and thread—I aim to honor this tradition. Each piece is a reflection of this cultural value, merging refined textures with precision to invite a tactile, immersive experience for the viewer.
Born in London, Iqbal lives and works in Dallas and recently left a long career in design and art direction to become an artist full-time. You can find available pieces on and follow her work on .
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