When we think of “invasive species,” perhaps zebra mussels or spring to mind. Both have flourished in their non-native environments and continue to threaten other native organisms. Invasive species aren’t inherently bad—they’re just trying to survive—but by definition, they’re likely to disrupt local ecosystems and even cause worth of damage each year. So, what does one California city have to say about its burgeoning population of… peacocks?
Introduced by a businessman and land baron named more than a century ago, the avian population has long called the area home. Over the years, though, as the originally open area filled with homes and commercial strips, efforts by local residents end up at odds, as some would like to protect the birds and others would prefer to see them sent away altogether. In a short film titled “,” filmmaker traces the unusual history of peafowl in Los Angeles County through the eyes of some of its current residents.
Arcadia, California, sits in the San Gabriel Valley about 45 minutes from downtown Los Angeles. Dozens of peacocks, which are carefully watched over by some and detested by others, meander through residents’ yards, traipse around on rooftops, peck at cars, call from trees, and of course, display their beautiful feathers—especially during mating season.
In her short documentary, Barlow invites locals to share their love—or loathing—for the vibrant birds as she highlights how Arcadia’s history of protecting the birds has perhaps led to something of an overpopulation problem. Nearby neighborhoods participate in relocation programs, while Arcadia’s birds are protected, and opinions about how to deal with growing numbers land all along the spectrum.
“‘Our Neighbors, the Peacocks’ resists the urge to resolve the tension it so clearly lays out,” says Jason Sondhi, who selected the film for . “Instead, it leans into a modest but resonant idea articulated by its director that living alongside these animals might require ‘putting aside your own discomforts to find a deeper meaning in nature.’”
See the film on .
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