
Aino Clarke, “Jazz Age.” Photo by Peter Morse, courtesy of Peter and Bobbi Kovner. All images © the artists, courtesy of Princeton Architectural Press, shared with permission
Working together from about 1941 to 1969 in Gloucester, Massachusetts, and almost entirely comprised of women block printers, the artists of the Folly Cove Designers comprised one of America’s longest-running collectives. The pioneering group produced hundreds of unique designs, and a new book by Elena M. Sarni from Princeton Architectural Press titled
Led by acclaimed children’s book author
Cut from linoleum and block-printed onto mainly fabric, each design tells a story. Members were constantly urged to draw inspiration from their surroundings, whether depicting a musical performance, the local college campus, or kitchen utensils and ingredients. Each artist shared personal narratives and familiar scenes. According to the
Find your copy of Trailblazing Women Printmakers on

Eino Natti, “Polyphemus.” Photo by Gary Lowell, courtesy of Sandy Bay Historical Society

Louise Kenyon, “Head of the Cove.” Photo by Peter Morse, courtesy of Peter and Bobbi Kovner

Virginia Lee Burton Demetrios, “Robin Hood.” Hood. Photo by Gary Lowell, courtesy of Sandy Bay Historical Society

Aino Clarke, “Atomic Age.” Courtesy of Cape Ann Museum

Louise Kenyon, “Smith College.” Photo by Peter Morse, courtesy of Peter and Bobbi Kovner

Virginia Lee Burton Demetrios, “Finnish Hop.” Photo by Gary Lowell, courtesy of Sandy Bay Historical Society

Lee Natti, “Old Sturbridge Country Store.” Photo by Gary Lowell, courtesy of Kathryn Soucy

Group portrait of the Folly Cove Designers, courtesy of Cape Ann Museum
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