All images © Rose Sanderson, shared with permission
Worn copies of World Books, agricultural texts, and classic novels become canvases for ’s insect studies. Now a few years old, the boasts more than 100 paintings featuring beetles, moths, and butterflies that splay across the printed material. Each specimen is enlarged to showcase the details of their bodies as they wrap around the tattered spines.
In a note to Colossal, Sanderson shares that her process is more cyclical than linear as she’s constantly resurfacing themes, materials, and methods from earlier works or those she previously set aside. While her focus currently is on abstract interpretations of the lichens found near her home in West Wales, she draws a connection between the intricacies of the organisms she paints today and the insects of her book series.
Keep an eye out for Sanderson’s work in Issue #24 of that’s curated by Colossal’s Editor-in-Chief . You can follow her specimen-centric projects, which include forays into miniature and 3-D, on .
