A perpetual experimenter,

The Plumón table is comprised of a simple two-ply glass surface with rounded edges that is held aloft by perfectly imperfect base pieces that appear to have been hand-thrown on a potter’s wheel. But looks, as they say, can be deceiving. In actuality, the sculptural stoneware plinths are 3D-printed using innovative production and engineering techniques developed by


Wanting to explore the immeasurable possibilities of 3D printing – specifically how the method can create shapes, textures and sizes unfathomable with traditional hands-on craftwork – Urquiola partnered with the team at LaMáquina by Noumena to take her idea from conceptual design to finished product.
Based in Barcelona, the manufacturing studio works at the intersection of the analogue and the digital, evolving craft through highly advanced fabrication. For the Plumón table, the collaboration worked through a “computational and creative workflow” to establish and fine-tune the manufacturing process, which took place at the Barcelona factory using LaMáquina’s

An added appeal 3D printing held for the Milan-based Urquiola is that no fixed mould is required. This means that, with only the slightest manipulation to the computational formula, each and every piece can be unique. While every version is indeed its own, they do share obvious “similitudes” – namely a layered texture comprised of varying (and, at times, overlapping) ribs, grooves and hollows that create an overall compelling and dynamic object.

Available as a coffee or side table, Plumón is a companion piece to a
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