“Geordie” (2023), oil on canvas, 145 x 120 centimeters. All images courtesy of Unit London, shared with permission
In Anatomy of the Radiant Mind, considers what lies beneath the surface of our online identities and public-facing personas. The Canadian artist conjures a cast of characters, each based on distinct to which he attributes unique colors, shapes, and sizes that comprise his figures. Working in what he describes as “fleshless portraiture,” Kinsella focuses on the intricacies of the human brain and emotional states, all conveyed through Cubist forms.
On view next month at , Anatomy of the Radiant Mind presents large-scale oil paintings and sculptures that, together, question dimension and depth. How can we understand one another when viewed through the flatness of social media? What do we lose when we’re not sharing a physical space? These questions surround the works, each of which is titled with the subtle anonymity of a single, given name like “Geordie” or “Lukas.”
To create the portraits, Kinsella begins with a preliminary structural sketch on paper and then translates his figures to canvas. He stacks three-dimensional triangles, cylinders, spheres, and blocks into facial features before applying vivid color. “Howard,” for example, exudes an aggrieved energy with a curved body in black and glowering expression, while “Kate” is dainty, her shapes stacked into a slim, pastel-hued tower.
Anatomy of the Radiant Mind runs from October 3 to November 4. Find more from the artist on .
Left: “Howard” (2023), oil on canvas, 120 x 100 centimeters. Right: “Patricia” (2023), oil on canvas, 145 x 115 centimeters
“Lukas” (2023), oil on canvas, 185 x 155 centimeters
“Kate” (2023), oil on canvas, 120 x 100 centimeters
“Rich” (2023), oil on canvas, 120 x 100 centimeters
“Lane” (2023), oil on canvas, 120 x 100 centimeters
Do stories and artists like this matter to you? Become a today and support independent arts publishing for as little as $5 per month. The article appeared first on .
Related Posts
