“Light: Outside, Inside” (2021), acrylic on linen, 100 x 80 centimeters. All images © Tomás Sánchez, shared with permission

Through serene, idyllic landscapes, Tomás Sánchez visualizes his long-harbored fascination with meditation. The practice, the Cuban painter says, is “where I find many of the answers to questions that transcend from the personal to the universal. Meditation is not always a fleeting time. Meditation is not a punctual exercise; it is a constant practice.”

Rather than conceptualize the exercise as a temporary state, Sánchez views mediation as a lens to interpret the world, a recurring theme that has foregrounded much of his work during the last few decades. His acrylic paintings and hazy graphite drawings, which take months if not years to complete, highlight the immensity and awe-inspiring qualities of a forest thick with vegetation or a nearby waterfall and offer perspective through a lone, nondescript figure often found amongst the trees. Distinct and heavily detailed, the realistic landscapes aren’t based on a specific place but rather are imagined spaces available only through a ruminative state.

If you’re in New York, stop by Marlborough Gallery to see Sánchez’s solo show, which is on view from November 18 to January 22. Titled Inner Landscape, the exhibition encompasses multiple pieces never shown before, including the pristine scenes shown here. Until then, explore more of his works on Instagram.

“Inner Lagoon…Thought-Cloud” (2016), acrylic on canvas, 200 x 199.3 centimeters

“La batalla” (2015), acrylic on linen, 200 x 250 centimeters

“El río va” (2020), acrylic on linen, 121.3 x 99.1 centimeters

“Aislado” (2015), acrylic on canvas, 199.7 x 249.9 centimeters

“Diagonales” (2018), conté crayon on paper, 30.5 x 40.6 centimeters

• Sophisticated Maximalism: Crane Loft in Vancouver by Studio Roslyn.
• color story: black, white & a little bit rustic.