’s absorbing stop-motion short “” is all about perspective. Through a continuously evolving landscape of minuscule stones and banknotes, mini-universes emerge that meld the two materials into culturally significant tableaus. “Between the dazzling layers of currency and sand lie connections that can be mined in infinite ways. Each person who views this film will unearth different associations filtered through their worldly experience and national background,” Parks says.
Although the sand shown is small in quantity—Parks can hold all of it in her two hands—it’s sourced from more than 50 countries just like the paper currency, and both materials converge in a perpetual juxtaposition of culture, economics, and nature. The rocks flow across the screen like water and animals, while the colorful collages of ripped money contrast distinct national figures and heritage against a universal economic backdrop. “Canada’s interstellar pride meshes with the gothic arches of Prague’s St. Salvator’s Church. Portugal’s colonial conquests intertwine with a Singapore’s nostalgic market economy. India’s signature animals wallow beneath a Chinese waterfall,” the Baltimore-based animator says in .
Watch behind-the-scenes footage of Parks’s , which involves moving each grain with a toothpick or tweezers before photographing, along with a few of her other animated projects, on .
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