With a background spanning , styling and , Nicholas Gilbert has launched Studio Nicholas at a time when Australian is finding its voice globally. We sat down with him to discuss the broader state of the industry, the challenges it faces and the opportunities for to redefine the way we live.
Interior design in Australia has never been more visible. Where do you think the industry stands right now?
We’re at an exciting but transitional point. Australia has incredible interior design talent, but as an industry, we’re still under-recognised compared to architects. There’s a lack of consistent regulation or pathways, which can create confusion for clients and dilute the professionalism of the field. Interior design should have the same rigour as other professions like architecture – it shapes how people live, feel and work every day.
What do you feel is missing from the conversation about interior design?
Interiors are often dismissed as decorative, when in fact they’re integral to wellbeing, productivity and even sustainability. It would be wonderful to elevate the perception of what interior design truly delivers. Great interior design is about space, light, proportion and the human experience. It serves people emotionally and functionally.
Where do you see opportunities for growth in the profession?
Cross-pollination between disciplines. We’re seeing more designers with backgrounds in fashion or art bringing fresh perspectives. That diversity is our strength. There’s also huge potential in product design (furniture, lighting, textiles) where Australian voices can compete on the world stage. If we embrace creativity and professionalisation, we’ll see the industry grow in credibility and influence.
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Clients today are more design-savvy than ever. How is that shaping the industry?
Clients are highly informed thanks to design publications and platforms like Instagram and Pinterest, but that can be a double-edged sword. They’re exposed to ideas, which is positive, but not necessarily to the knowledge of why certain things work or don’t. That’s where the role of a designer comes in – not just curating aesthetics, but guiding decisions with rigour, context and expertise.
How do Australian interiors compare globally?
Australia has a truly unique point of view – we’re influenced by light, landscape and lifestyle. Our interiors tend to be more open, tactile and relaxed compared to Europe, where tradition often dictates formality. I think the world is increasingly curious about the Australian approach, and we need to lean into that difference.
Finally, what excites you about the future of design in Australia?
The opportunity to define our own design identity. Australian designers can draw on cultural diversity, extraordinary landscapes and a certain boldness to create something unique. If we combine that creative freedom with greater recognition and structure as a profession, the future looks amazing.
Studio Nicholas
Photography
Taylah Golden
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