When the property investment group, Kingsmede – owners of the building, no less – approached Archer Design to design their new corporate offices, it made good sense to update the lobby at the same time. The result is the transformation of both the penthouse and lobby of 25 Bligh Street in
Blowing away the assembly line of monochromatic business blocks, the lobby of 25 Bligh Street is a divine art gallery experience of exceptional curation, scale and exuberance. Topped by a blue sky, the nine-metre-high volume has the sophisticated palette of a contemporary foyer with marble, Corian, battened walls and polished bronze mirror panels all working together to generate a sense of lux. The colossal ‘Floral Pendant’ by Cox of London does the unlikely by escalating scale through its enormity, while contracting scale through its delicate and intricate details.
It is a wow statement, but that’s just the beginning – as it is the layer of art that gives the space its grandeur. “My client and I enjoy sourcing fantastic Australian and international fine art pieces for his private and corporate projects, so we have a constantly evolving collection from which to source great artworks,” says Richard Archer, principal at Archer Design. He also notes that, while drawing on the collection for both the lobby and headquarters, a highlight of the project was commissioning pieces for specific locations.
The polished stainless steel work ‘In-Hale Wall Piece, 2021’ by Belgian artist Ben Storms, for example, is about as far from a typical corporate offering as possible. This, along with an oil painting by Neil Frazer depicting a rolling blue on blue surf-scape, were commissioned specifically for the lobby.
“It was enjoyable and informative liaising directly with the artists and gallerists to ensure the works we wanted were created solely with this environment in mind,” says Archer. “Much as in an art
Tim Maguire’s triptych, ‘Light Fall 5,6,7’ series, towers over the neat lines of elevators on either side of it, reminiscent of a stained-glass window. “From the outset I knew we needed to find something bold, organic, and colourful to activate the soaring height of the lift lobby. It is rare and exciting to have a space that is over nine metres in height to work with,” says Archer.
“The joyful exuberance of [Maguire’s] colouration and phenomenal expertise in capturing the ebb and flow of natural forms are a perfect counterpoint to the tonality of the restrained and rationalist corporate lobby we designed,” he adds.
The experience of this artwork is quite extraordinary with its ceiling illumination provided by Coelux Skylights from
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