In ’s most recent body of work, Secret Gardens, the enigmatic allure of abandoned greenhouses takes center stage. Traveling to derelict sites to immortalize forgotten corners of the world, the French photographer invites viewers into spaces where humans are decentered.
The boundaries between interior and exterior are a key element in Veillon’s approach to abandoned growing houses, where he emphasizes their convergence. “It is ironic to see that, on the contrary, nature felt imprisoned there and sought to break free from its captor, unleashing its unstoppable force,” the photographer shares in a series statement. “Now, we admire vegetation that has become one with the bars of its cage.”
Veillon’s photographs are formidable, documenting the power nature holds to eventually reclaim spaces no longer governed by human intervention. While echoes of the presence of man persist in each image—through shattered stained glass window panes, rusting pipes, and piles of unused pots—the commanding force of rollicking vegetation is a clear reminder that in the end, nature endures beyond us.
Find more on Veillon’s , and keep up with his practice on . (via )
Do stories and artists like this matter to you? Become a today and support independent arts publishing for as little as $7 per month. The article appeared first on .
Related Posts
