In a wooded area of Lincolnshire, it’s not unusual for people to partake in what’s dubbed a “drive through body part heist.” The preposterously named activity involves a trip to —a Midlands mannequin distributor frequented by a wide array of clientele like merchandisers, film crews, and Halloween devotees—where visitors spend 15 minutes scouring its meters-high pile of discarded forms for, none other than, body parts. These challenges to fill a car with as many pieces as possible are just one part of the company’s business model, which involves saving the used fiberglass displays from landfills and returning them to the retail ecosystem.
English YouTuber and educator walks through the staggering heap in and talks with director Roz Edwards, who’s amassed about 25,000 figures from locations all over Europe that are now scattered across the property. The short documentary project dives into the company’s process for revitalizing worn arms, legs, and torsos and confronts the strange, surreal environment created when thousands of lifeless bodies occupy a single space in what’s ultimately a striking visual indictment of consumerism and our collective approach to waste.
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