
“Man and dog,” Lower East Side, Manhattan (1980), C-print, 16 x 20 inches. All images courtesy of the artist, shared with permission
One of New York City’s most discerning and essential documentarians, photographer
His first institutional survey, an expansive exhibition of Shabazz’s photos is on view through September 4 at
Often recognized for capturing hip-hop culture and the fashions of the 1980s, Shabazz’s photos range from the stylishly posed to the candid and serendipitous. He frames a pitbull mid-air as it grips a strap, children flipping onto a frayed mattress, and a beaming, rush-hour crowd grinning through an open window. Having recorded poverty, the widespread effects of racism, and those housed at Rikers Island during his time working for the Department of Corrections, Shabazz continually chooses humanity and happiness. “Some of the people in the community might see themselves when they were at a really bad point in their lives,” he told
Shabazz has published multiple monographs throughout his career, and his new

“Flying High,” Brownsville, Brooklyn (1982)

“Jacob The Jeweler,” Midtown Manhattan (2009), gelatin silver print, 16 x 20 inches

“Straight out of Red Hook, Brooklyn” (1980), C-print, 16 x 20 inches

“When two paths cross,” Fort Greene, Brooklyn (2012), archival pigment print, 16 x 20 inches

“Rush Hour,” Brooklyn (1980), C-print, 11 x 14 inches

“Joy Riding,” Flatbush, Brooklyn (1980), C-print, 16 x 20 inches

“Remembering Malcolm,” Harlem, New York (2010), gelatin silver print, 16 x 20 inches