

Under the principle adage — beauty is everywhere,
Unlike the conventional beauty store where each branch is consistent in interior, each of Harmay’s retail is conceptually unique yet consistently linked together with a futuristic undertone (see some of their other stores
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Travelling up the silver staircase from ground to the first level unfolds an organisation of desks in a grid-like manner. Among the sea of burnt orange carpet lies individual lemon-yellow coloured desks installed with deep product trays. Areas that would normally have big rolling compactus are substituted for timber shelves coated in lime used for product display. Both shades are strategically selected to contrast or compliment colours commonly used in beauty product packaging. Undeniably the favoured grid layout (also seen in AIM’s other Harmay stores) strongly points to a romantic interpretation of the vintage futurism.
Scattered around the office grid are glass doors that semi enclose areas representing meeting rooms. The curation catalyses a shift of muted colours, with the carpet becoming mossy green, while the display table is made of darkened timber.
In contrast, the central office core is covered in orange textile, with ribbon of circular windows punctured through for customers to have a glimpse into Harmay’s internal transit warehouse—a core part of their brand identity. One face of the core also features a series of quiet booths in
Texturally arresting and interactively tactile, Harmay’s Hangzhou Store invites cosmetic enthusiasts to fall in love with the beauty of everyday spaces. It’s definitely a step in a different direction to the previous Harmay flagships in Hong Kong and China, however, it serves as a welcoming gesture that will challenge the language and future of cosmetic
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