“Giddy Up” (2022), oil on canvas, 14 × 16 inches. All images courtesy of Thinkspace Projects, shared with permission
Urbanites know the subway is a prime location to spot the city’s oddities, and yet, a run-in with one of ’s characters would be a particularly wild encounter. The Los Angeles-based artist has spent the last few years rendering human-animal hybrids that nonchalantly ride public transit. Sometimes snacking on a cracker or brushing up on some reading, the characters are surreal, uncanny additions to an otherwise mundane scene.
Grabelsky’s newest oil paintings, which are currently on view as part of Riders at in Glendale, California, are hyperrealistic and laced with witty details similar to in the series. Set on the New York City Subway and London Tube, the portraits are narrative-driven and embedded with pop culture references. The artist shares:
My goal is to create the effect of looking at a scene on the subway as if it were a diorama at a natural history museum. The images present richly detailed moments frozen in time allowing the viewer to closely inspect every element and make connections between them to read an overall story. In this world, people are transformed into part-animal to create scenes that are strange, funny, and endearing.
Curated by , Riders is on view through March 17. You can find an extensive collection of Grabelsky’s commuters on and .
“Curious George Takes A Train” (2022), oil on canvas, 16 × 20 inches
Left: “Crow-Magnon” (2022), oil on canvas, 28 × 38 inches. Right: “Polly Wanna Cracker” (2022), oil on canvas, 24 × 36 inches
“Texas Hold’em” (2022), oil on canvas, 12 × 16 inches
Left: “An American Werewolf In London” (2022), oil on canvas, 24 × 32 inches. Right: “Sichuan Express” (2022), oil on canvas, 14 × 20 inches
“Gotham Local” (2022), oil on canvas, 12 × 16 inches
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