“Bioluminescence.” All images © Hoi Chan, shared with permission
A slight breeze brushing across her body during a morning run or observing a butterfly’s winding flight pattern are likely sources of inspiration for artist . “I usually jot it all down in a notebook, filter it down into visual ideas,” the Hong Kong-born New Orleans-based illustrator shares. Chan translates these fleeting feelings and moments into radiant scenes, their candy-colored palettes drawn from photos she takes of her surroundings.
Each piece originates with a primary subject, and then Chan turns “to the lines. I spend quite some time on this stage because my illustration is often related to the authentic emotion of a human, so I try to make every line look a bit different to show the organic quality of our nature,” she says.
Perspective and scale also play a pivotal role, and many pieces, like “Bioluminescence,” look up at a translucent figure that, despite its towering proportions, appears delicate and lightweight, as if dreamily floating in space. Conversely, “Climate Change Emotions” and “Dry January” shrink their subjects to a minuscule scale, positioning them among daunting, otherworldly settings. Textured gradients add an element of intrigue, too, and offer “a certain type of intimate feeling that no other graphic elements can convey,” she says.
Chan collaborates with myriad brands and editorial clients including The New York Times, The New Yorker, and REI. She’s currently incorporating animated elements in her works, so keep an eye on her for updates.
“Silent Walk”
Left: “Close Contact.” Right: “Male Birth Control”
“Dry January”
“Climate Change Emotions”
“Auspicious Elements”
“Two Fathers One Egg”
“Freefall”
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