Seoul-based artist echoes the heaving, lively motion of breath in his glimmering kinetic sculptures. Part of the ongoing Chroma series, the mixed-media works are reactive: small motors bend the transparent polymer material and cause an iridescent, color-changing ripple that pulses across the piece. Often suspended in a gallery space, the sculptures are knotted or shaped like a vortex, as in “Chroma V,” which references “subjects and symbols of culture and disciplines, such as ancient murals, nature, literature, art, philosophy, and science,” Kim says.
Alongside aesthetic concerns, engineering and the mechanics of each structure play a crucial role in the construction process. The resulting works are immersive and multi-sensory as the motors emit various sounds that correspond with the visual changes. “Chroma V,” for example, is comprised of 382 individual cells each containing its own device that subsequently produces hundreds of different reactions across the eight-meter work. The artist shares:
In the studio, I spent a lot of time trying to realize this, not to fit the artwork to the machine but to make a machine that fits the idea of the artwork, with numerous attempts and experiments. After the individual mechanical devices are completed, a work process in which software and mechanical devices connect is necessary to create an artistic event to enable communication between them.
This generative nature informs Kim’s practice, and he often transfers aspects of earlier projects into his next work. “When one piece is finished, this process does not stop but becomes a potential idea for the next new piece,” he says.
of Kim’s paintings is slated for release this April, and he has several exhibitions upcoming, including this March at Shenzhen Museum of Contemporary Art and Urban Planning, in June at in Geneva and in Melbourne, and this fall at in Naples. Until then, explore more of Kim’s work on , , and .
“Chroma V” (2022), acrylic, aluminum, polymer, LED, motor, and microcontroller, 235 x 800 x 225 centimeters
“Chroma V” (2022), acrylic, aluminum, polymer, LED, motor, and microcontroller, 235 x 800 x 225 centimeters. Photo by Roman März
“Chroma V” (2022), acrylic, aluminum, polymer, LED, motor, and microcontroller, 235 x 800 x 225 centimeters. Photo by Roman März
Detail of “Chroma V” (2022), acrylic, aluminum, polymer, LED, motor, and microcontroller, 235 x 800 x 225 centimeters. Photo by Roman März
Detail of “Chroma III” (2021), acrylic, aluminum, polymer, LED, motor, and microcontroller, 230 x 140 x 170 centimeters
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