Joaquín Cociña and Cristóbal León descend into the psychologically disturbing world of a child escaped from religious fanatics in their feature-length film The Wolf House. Layered with audio of unsettling voices and the quiet mutterings of a young girl, the grotesque animation seamlessly blends horror and documentary as it recounts some of the tragedies of the Colonia Dignidad, the post-World War II colony that was established by Germans and Chileans under the dictatorial rule of General Augusto Pinochet. Founded in 1961, the isolated area was infamous for torture, internment, and murder, and The Wolf House showcases its impact on a child who takes refuge in a strange house.

Fans of filmmaker Daisy Jacobs and artist BLU will recognize some of the methods used in Cociña and León’s work, including classic stop-motion techniques and painting directly on the walls of the set. Characters shift constantly, whether between two and three dimensions as they morph from murals into sculptural creatures or as they contort their bodies from life-sized forms to massive heads and from human to animal.

Cociña and León, who are from Chile originally, have been collaborating since 2007 and lead the Santiago-based production company Diluvio. You can stream The Wolf House on ScreeningRoom, and see more of the duo’s genre-bending work on their site and Vimeo.

 

The Wolf House: A Horror Film Plunges into the Disturbing Mind of a Child through a Blend of Stop-Motion Animation and Murals

The Wolf House: A Horror Film Plunges into the Disturbing Mind of a Child through a Blend of Stop-Motion Animation and Murals

The Wolf House: A Horror Film Plunges into the Disturbing Mind of a Child through a Blend of Stop-Motion Animation and Murals

The Wolf House: A Horror Film Plunges into the Disturbing Mind of a Child through a Blend of Stop-Motion Animation and Murals

The Wolf House: A Horror Film Plunges into the Disturbing Mind of a Child through a Blend of Stop-Motion Animation and Murals

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