From dozens of painted mesh fabric panels, ’s undulating, transform airy spaces into immersive experiences. Superimposed in layers that are meticulously suspended from the ceiling or between outdoor structures, the panels interact with sunlight and one another to create vibrant gradients.
One of Topić’s most recent interventions, Echoverse, consists of 57 different colors on 451 panels, stretching nearly 100 feet long and about 25 feet wide. It’s currently installed in a spacious former chapel home to , an art center in Châteaugiron, France, where the work flutters wave-like through the open space.
Additional recent pieces include “Nexus Lucis,” which centered above the altar of a large church in Gisors, France, earlier this year. And new this fall, an outdoor installation titled “Afterburn” floats above Intendencia Street in downtown Pensacola, Florida.
Geometry, hue, and light interact to create prismatic interactions. “Every color, every layer, every viewpoint responds to another—like lines of a poem extending one another, or like sound waves traveling through the space and refracting in the air,” Topić says in a statement. Hovering independently yet arranged with precision, the perceived effect evolves as one walks around the work. From one vantage point, the installation may appear more opaque, but from another, its faceted and translucent nature is revealed.
Topić carefully considers the nature of spaces, how we interact within them, and how shifting light throughout the day changes how they feel. “It is important to me to create a work that introduces a deliberate contrast, yet still merges with the space,” he says. “I love this symbiosis; for me, it is essential—especially in a place that carries more than 800 years of history.”
Echoverse continues through December 14. Find more on the artist’s and .
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