

During the 10th edition of
WELCOME! was a
By introducing – and interpreting – several FENDI details into her own furniture pieces, Chiara Andreatti pays homage to the brand’s most famous icons and their fur craftsmanship, which she incorporates within her collection, creating a “survey” of FENDI creative universe.
For her delicately shaped objects, Chiara chose soft hues and exotic materials along with sophisticated craftsmanship. The large table and the smaller side-table rest on wide, natural


A couple of walnut-coloured wooden seats with an oversized backrest, narrow and austere, become two thrones – a clear homage to the versatile artist Koloman Moser – decorated with a pyramid-like, finely hand-interlaced pattern in raw hemp, with a low footrest featuring the same decoration. For the first time, burnished steel, natural fibres and hand-made ceramics are joined together. A light and greenery column becomes a luminous sculpture powered by warm-light neon tubes. The generous, asymmetric sofa with organic shapes is covered in new FENDI Pequin velvet fabric, featuring two bands of institutional colours – black and brown – modulated in a wide-stripe motif reminiscent of the tapestry and decorations of architect Josef Hoffmann. Like dragonflies, two butter-white parchment lamps hang from the ceiling, with a vintage brass sling bar acting as a balancing weight, while wires, pipes and brass spheres introduce a new visual balance for the two ceiling lamps, characterized by the hand-made parchment FENDI Lace-up detail.
The flooring inside Design Miami/ booth was entirely covered with a thick, hard mat in natural coco fibre with a herringbone pattern, matched by two large wool Himalayan carpets embroidered with contrasting Punto Selleria elements in the iconic FENDI yellow hue. The corner walls embraced the furnishings of the WELCOME! living room, featuring milk-white, Greek-style gypsum mouldings. Two big geometric planters framed the two sides of the living room; created in white, smooth biodynamic lightweight concrete. The planters stood out for their neat play of graphic elements inspired by the large glass windows of ancient cathedrals.
The WELCOME! project was curated by Maria Cristina Didero.
[Images courtesy of
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