“Old and New” (2022). All images © Stéphanie Kilgast, shared with permission
Fungi sprout from between pages, ivy creeps across a text, and the life cycle of a butterfly unfolds on the cover of a volume in ’s vibrant sculptures. Known for her intricately detailed works using discarded materials and trash like crushed cans or plastic bottles (), her recent pieces explore incredible biodiversity utilizing books as her canvas.
Millions of titles are published each year in the U.S. alone, meaning of individual copies—a vast number of which eventually end up in landfills. Kilgast draws attention to these discarded objects by giving vintage editions new life. She constructs delicate mushrooms, blooming flowers, and colorful coral in painstakingly detailed miniature environments as a vivid reminder of the impact humans have on the environment and the tenacity of nature.
The artist has an exhibition opening on November 5 at in Melbourne, and you can find more of her work on her and
“Ancestral History” (2021)
Left: “Contre Vents et Marees” (2021). Right: Work in progress
“Half Full, Half Empty” (2022)
“Happy or Doomsday Colors” (2022)
Left: “Hungry” (2022). Right: “Beginnings” (2022).
“I Lichen You A Lot” (2022)
Detail of “Contre Vents et Marees” (2021)