“Made of Gold” (2021). All images © Lauren Marx, shared with permission
The living and the dead coexist in vivid color in the fantastic tableaus of artist (). From her St. Louis studio, Marx entangles predators and prey with flora and fauna in dense scenes rendered in a mix of pen, watercolor, and colored pencil. Snakes burst open to reveal feathered wings, an owl snacks on the maroon entrails of a rabbit, and a three-headed creature sprouts dried grass from its midsection. Straddling the line between the beautiful and the brutally grotesque, the works intertwine myriad species and states of being.
Given the trauma of the Covid-19 pandemic and the increasingly destructive effects of the human-caused climate crisis, Marx says the theme of loss of life has become more poignant and profound. “I feel the tension is even greater now after seeing death become part of our daily lives nonstop for years. It went from a casual observation to a persistent one,” she shares. “It’s honestly very overwhelming for me.”
The artist translates this grief into the mythological, rendering creatures like unicorns and dragons in vibrant hues. Fanciful by nature, these pieces twist lush florals and technicolor serpents around the horned beasts, with their deep purple intestines peeking through white fur. “I felt this urge to create bright pieces in order to cheer myself,” she says. “Now, those subjects play a huge role in where I want to take my work in the future.”
In November, Marx’s work will be included in a group exhibition at in Long Island. Peek into her process on , and shop prints and stickers on .
“The First” (2016)
“Starry Eyed” (2021)
“Good Luck Spells” (2022)
“Crow and Blueberries” (2020)
Left: “Unicorn II” (2021). Right: “Unicorn” (2020)
“Queen of the Night” (2021)
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